B.J. Novak's The Book With No Pictures

Have you heard of the new children's book,

The Book With No Pictures

, written by actor-comedian B.J. Novak (

The Office

)? I stumbled upon it online and immediately ordered a copy for A.'s nephews and my friend's 6-year-old daughter who we were going to see during this weekend's camping trip. The concept behind the book is that the adult reading it finds himself saying the most absurd things (to the child's absolute delight) and also fighting back against the silly words he's being forced to say. The book might not have any illustrations, but type and color are used in an artistic way and kids get to see the power behind words.

In a recent interview with

Vanity Fair

about his new book, Novak explained why he decided to do a children's picture book with just words.

"Well, I have two answers, and they're both true. The idealistic answer, and it's true, is that I thought, There's a really exciting way to show kids that the written word can be their ally and that it's possible to do something extremely powerful—which is overpower an adult and your experience with them, using only words. Words that can be on your side. And I thought there was a beautiful, exciting lesson in that, in making words something—which they are, rebellious and a form of freedom—that a kid can learn is on their side whenever they want it to be. And the simple answer is that I can't draw, and I wanted to do it all myself," he said.

When we read the book's title to our friend's daughter she seemed skeptical that this would be a fun story time.

"

The Book With No Pictures

? Aww, it's a chapter book," she groaned. But she settled in as A. started reading her the book.

Well let me tell you, that child went around the group and had that book read to her like eight times in 24 hours. She just could not get enough! And to her, every time was just as funny as the last.

In the book trailer below, Novak reads

The Book With No Pictures

to a group of kids and ends up sending them into a pile of giggles. In fact, the same part that our friend's daughter kept obsessing over and over also caused a bit of a commotion when he read it to these school children.

"At the school that the reading was at [in the trailer]—it's a very orderly school," Novak told Vanity Fair. "They had to calm the kids down after I read the line 'Boo Boo Butt.' We had to cut like 60 seconds out of the tape, because they're going crazy. They're practically running around. They had to do a whole ritual of '1, 2, 3, shhh' to quiet them back down. After it was all done, they had a very orderly way to get the kids out, in line, and back to their classrooms. But one tiny little five-year-old African American girl just bursts out and ran out of the line, hugged me and pointed at me and said 'You are hilarious.' And that's been the highlight so far."

We can't wait to read this to A.'s nephews!

Image:

youtube.com

Impermanence


So I'm back from Burning Man, already deep into my regular schedule (blah!) of work work work, and am still trying to sift through all the thoughts I've collected on this trip. A part of me feels overwhelmed by trying to make sense of the sensory overload I've just experienced as well as guilt over not doing "enough" while out in the desert. I'm also trying not to drown in thoughts of all the work that needs to get done this month. My head has been spinning, spinning, and one word holds fast in the center of that mental tornado: impermanence.

It's been a couple weeks now since I set off on this adventure for a second time and I have to admit, there will never be anything to compare to that first time. I went into my second burn knowing full well that every year will be different, that no comparisons should be made, but oh how I slightly envied those who were stepping onto the playa for the very first time. Their eyes were so wide as they struggled to find words to express how incredible this all was. Don't get me wrong, Burning Man is still an amazing city of play, light, and sound, but I did miss the mind-blowing surprise that was my first year. Of course, that had to come to an end, but it'll continuously be replaced with other discoveries both within and outside of ourselves.

I have a hard time accepting how temporary things are and Burning Man is the epitome of impermanence. Not only do 70,000 people congregate on Black Rock Desert to party for a week before the whole city vanishes without a trace on Labor Day, but while you're there you're fed a constant stream of blips on the radar. Art installations are created for Black Rock City residents to enjoy and days later they're burned to the ground. Gone. Forever. Perhaps you make a mental note to check out a cool piece, but constantly find yourself distracted by the hundreds of other cool things going on around you until you're on the car ride home yelling, "Dammit! We never saw SoundPuddle!" I wish I'd made it a point to enter one of the most arresting sights on the playa, Embrace, with its beating hearts and the chance to crawl into the statues' heads to peer out onto the city through their eyes. But before we could get any closer, we were being whisked away to the edge of the dusty city on an art car outfitted with xylophones, banging on a rooftop gong every time a cyclist waved as we drove on by…

We didn't approach Embrace again until it was burned early Friday morning. The opportunity to engage with that piece of art had passed.


This year was better than the last in that I didn't cling to each moment as if that was the happiest I could ever be. I often found myself not wanting to leave an installation because what if the moment that followed wasn't as fun? A. kept reassuring me that while the present was quite good, there will be more joy to follow no matter where we ended up. So I was more willing to let go of moments at this year's burn. I made it a point to hop off my bike if an experience called out to me (spontaneity! participation!), thoroughly enjoyed that moment, and then left it behind in search of more knowing that whatever came next would be just as novel, exciting, and beautiful. I was more social, wanting to collect stories and connections rather than experience it all from the bubble that surrounds me. The issue? A. and I would tuck in early, choosing sweet slumber over partying until dawn and I'd often lay there in our tent wondering if we weren't just wasting time with this sleep business. What were we missing? Are we squeezing every drop out of this amazing place? No, but we continued to burn on our terms.

Sometimes I felt this urgency to rush out and do everything despite my body's limitations, but I also understood that there's no way I could catch every moment going on in the city before it dismantled in a few days' time. Even now as I type, I'm frantically trying to search and grab every thought I have on this because soon they'll be replaced with other concerns. It's much like waking up from a crazy dream and racing to jot down the scenes before your brain realizes it's awake. Nothing lasts. How do I learn to be okay with that?

Earlier this summer, A. suggested I read Nightline anchor Dan Harris' book 10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works. It's about Harris' journey into meditation and his skepticism that self-help techniques would actually work on someone who works in such a stressful, deadline-driven field. It was in reading this that the concept of "impermanence" piqued my interest and while my gut has yet to come to terms with it, my mind has been turning it over and over like a smooth pebble in its hand.

"As best I could understand it, the Buddha's main thesis was that in a world where everything is constantly changing, we suffer because we cling to things that won't last," Harris wrote.

"The Buddha embraced an often overlooked truism: nothing lasts  including us. We and everyone we love will die. Fame fizzles, beauty fades, continents shift. Pharaohs are swallowed by emperors, who fall to sultans, kings, kaisers, and presidents  and it all plays out against the backdrop of an infinite universe in which our bodies are made up of atoms from the very first exploding stars. We may know this intellectually, but on an emotional level we seem to be hardwired for denial. We comport ourselves as if we had control."

But we don't and so we have to learn to be at peace with uncertainty and every single moment fading into oblivion.

Do you also have a hard time letting go of moments, people, or possessions?

Julia Rothman's Hello, NY

Monday night I popped on over to DUMBO to attend the book launch party for illustrators Julia Rothman and Wendy MacNaughton's books Hello NY: An Illustrated Love Letter to the Five Boroughs and Meanwhile in San Francisco: The City in its Own Words, respectively. The two sat down for a Q&A session with Brain Pickings' Maria Popova about the process of creating illustrated books of their hometowns, where the trend of hand-illustrations is heading, the "godmother" of long-form narrative + illustrated storytelling Maira Kalman, and how they each took similar projects in two different directions. While MacNaughton let the characters she met tell the story of life in San Francisco in their own words, Rothman, being the native New Yorker that she is, completely injected herself into her book and showed us the city through her eyes. From the small island off the Bronx in which she grew up, to her odd finds paired with more popular attractions to pieces of her family history, and tidbits about NYC life that'll make out-of-towners go "Whaaa?" and natives go "Yup!" Rothman tried to give everyone a little something to chew on.

"Well that's nice to remove yourself," Rothman laughed after MacNaughton explained why she wanted the people she met to create the book in their own words rather than hers. "I put myself as the main character. I was born on City Island in the Bronx, a small island that nobody had ever heard of and I really wanted everybody to know about it. So I wrote a book about where I was from and what I liked about my city and everything else about it. I put some voices in there, but it's mostly all me...and my family, the people I've met, and my landlord. I don't know, maybe New Yorkers are self-obsessed and San Francisco people are really nice."

As the daughter of a bodega owner, I was especially delighted to see her write an ode to the bodega.

"I wrote something about bodegas that was like bodegas are really great and you can get anything you want and then I was like this is really boring and crappy. And it was kind of a last-minute thing that I sent to [editor] Bridget [Watson Payne]. It was just random, it wasn't really that thought-out. If I write a paragraph about how good bodegas are, it wasn't that interesting. I didn't feel like it was getting across the feeling and if I could write the light and the tiles on the floor then it would get across the feeling more than just bodegas are great," Rothman said before Popova added why it's such an appropriate piece for a book about New York City.

"It's actually such a beautiful poem that's really a metaphor for the city because the last line is how many pieces of chewing gum does it take stay alive, stay in business and that's kind of how the city is. How many little daily moments and little people does it take..." she said.

"How do these places stay in business?!" Rothman interjected. "There's so many people going in and out, every dollar...When I was in San Fracisco, there's no bodegas, in other cities there's no bodegas and you're like where do you buy your food?"

As for how she chose what to include out of love for her city versus an obligation to include more popular sites, Rothman said she tried to put in a little of both to please New Yorkers and visitors alike.

"There was always a balance like if I put the Statue of Liberty in is that cliché? But then maybe I can put in Minerva, the statue in Greenwood Cemetery and balance it. There was always something that was very New York and then well, if I'm putting this very New York thing in, what's a more obscure thing I can put in that will help make it not so obvious," Rothman said. "It was always who's the audience? New Yorkers or everyone? So if it's both you have to put in some stuff for New Yorkers and you put in some stuff for the rest of the world. You have to put in Grand Central, but you can also put in the Troll Museum."


What I liked about the book, which I pretty much blazed through in a couple of hours, is seeing my hometown through somebody else's eyes. The other day I was strolling through Union Square Park after having lunch with A. and said, "We live here...and everyone else thinks it's awesome." Do I think it's awesome? Most of the time, yes, but other times I'm just tired of the same sights, sounds, and pace of New York City. I want to live somewhere else and even if I end up returning years later, I want to have experienced life elsewhere. Until that happens, I'll continue to enjoy hearing about NYC through someone else's lens. It's probably why I love talking to those who visit for the first time ("Yes, please remind me why my hometown is incredible...") and I'm mildly obsessed with Humans of New York. A curiosity for other people's stories and the lives that I brush up against every day are what keep me intrigued about this place. As Popova said at the book launch party Monday night, "I think the beauty of both books is actually the deeper messages. They both answer the question 'What is it like to live like this other person that's sort of so close to me in the city, but is not me?' And what it's like to understand what that life is like."

Images: juliarothman.com

Design Sponge's New Travel Series "24 Hours In" + Yard Sale


Design Sponge has just started a new travel series called "24 Hours In" in which creative folks share their ideal day in any given city. Design Sponge's own Grace Bonney kicked things off last week with a little tour of her 15 favorite spots in North Brooklyn, which is where her studio is located, and this week, prop stylist Ginny Branch shares her top picks in her hometown of Atlanta, Georgia.

While Design Sponge has a long list of more detailed city guides, I'm enjoying these mini snippets and the fun illustrations that accompany them. It's like having a host show you the neighborhood through their eyes. It's probably why I also enjoy The New York Times' 36 Hours series so much and love flipping through the book. It quickly breaks down an area, gives you suggested itineraries filled with spots both known and hidden, and presents it in a neat little package. Perfect for the person who hardly has time to travel, let alone plan for weeks in advance.


Now to go back to Brooklyn and artsy finds, Design Sponge is hosting a yard sale this Saturday in their Greenpoint studio. If you're searching for cool furniture, artwork, paper goods, accessories or just new goodies for your home, you'll have to drop in. I'll be popping over to see if I find anything interesting to dress up these walls.

Yakitori Tori Shin + Humans of New York


One of the things I was going to miss out on if I left to Cameroon was A.'s birthday, but I decided to go anyway because, you know, "it's Africa." Still, I wanted to make sure I fulfilled my loving girlfriend duties before I left and that I set up some surprises for him while I was away.

For over a year, A. had been wanting us to have dinner at Tori Shin, a popular Japanese yakitori restaurant by his apartment, but we just never pulled the trigger when it came to treating ourselves to a fancy meal. Plus, it's so full during dinner time that it's not a place that you can just drop into on a whim; reservations are the way to go. But like A. mentioned, you know it's a good spot when the tables are filled by Japanese men in suits so I booked us a table for the Friday night before I went away, got dressed up, left our phones at home, and walked on over to the restaurant for my first taste of yakitori. A., who's been raving about his dining experience in Tokyo for the past three years, was excited about what was to come.

I didn't know much about what to expect, but the night was just incredible. He and I spent the next couple of hours just being fed a stream of skewered meats - mostly chicken - and vegetables grilled to perfection and sipping plum wine. While you can order set entreés from the menu, part of the delight of yakitori restaurants is that you can choose to be surprised, which we did with the Chef's Omakase menu ($55 per person). The chef cooks up whatever he wants - a selection of fresh meat and produce with a few surprises - and you just decide to go along for the ride. It's not for picky eaters (though you can tell your waiter what you absolutely won't eat like, say, organs), but it makes for such an awesome dining experience.

You'd think 10 tiny plates couldn't fill you up, but by the time they wrapped up dinner with chicken and eggs over rice, soup, and then green tea sorbet for dessert, we just could not handle any more food and walked home happy and dizzy from our impending food coma.

As for A.'s other surprises, I had a box of his favorite cookies from Levain Bakery delivered on his birthday as well as a copy of Tumblr blogger Brandon Stanton's beautiful photography book Humans of New York, a New York Times best seller that happened to be released on A.'s day. We both enjoy following Stanton's work on Facebook every day and never cease to marvel at a) how many stories are lurking within all these strangers around us and b) how Stanton gets them to share something so intimate with someone they've never met. One of my favorite quotes was given by the woman below who said, "When I was 20, I made a plan to get a good job and be secure. Now I'm 35, and I need a plan to be happy."


Images: handi-eats.blogspot.com and facebook.com